Faubourg 36 (2008)
Directed by Christophe Barratier

Comedy / Drama / Musical
aka: Paris 36

Film Review

Abstract picture representing Faubourg 36 (2008)
For his eagerly awaited follow-up to Les Choristes, the biggest hit at the French box office in 2004, director Christophe Barratier sticks with the nostalgia theme and offers a similarly kitsch mélange of musical and sentimental drama.  The setting is France, 1936, a year of optimism and solidarity amongst the working classes, which soon proved to be a false dawn for socialism as the Popular Front government failed to come to grips with the problems of the time.  Whilst the film evokes the period pretty well, it is so heavily dowsed in cliché and tacky sentimentality that it fails to have anything like the impact of Barratier's previous film.  A completely formulaic plot is rendered painfully absurd by some needlessly operatic mise-en-scène and performances that are completely lacking in conviction and charm.  Kad Merad's impression of Fernandel and one or two of the musical numbers provide a welcome respite from the mushy mawkishness and infantile characterisation but these few fleeting moments of delight are not enough to sweeten the pretty indigestible pill which is Faubourg 36.
© Aiden Michel 2011
The above content is owned by frenchfilms.org and must not be copied.
Next Christophe Barratier film:
La Nouvelle guerre des boutons (2011)

Film Synopsis

France, 1936.  The election of the Popular Front government brings hope to a depressed nation but are the expectations of a workers' revolution justified or unreasonably optimistic?  In one district in the north of Paris, Dorfeuil, the owner of the music hall Le Chasonia is driven to suicide when he cannot pay back the money he owes to the pro-Fascist gangster Galapiat.  The closure of Le Chasonia brings misery to its manager, Pigoil, who drowns his sorrows in drink when his wife abandons him, taking their son with her.  Pigoil is pulled back from the brink when Jacky, a failed comic, and Milou, a technician, suggest that the three of them club together and try to reopen La Chansonia.  In the hope of recovering some of his money, Galapiat gives Pigoil and his friends three months to make a success of the venture.  Things start off well when Pigoil takes on Douce, an attractive young singer who is bound to be a hit with the public.  It isn't long before Milou is madly in love with Douce, but Galapiat also has amorous designs on the singer, and this is when Pigoil's troubles really begin...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Christophe Barratier
  • Script: Christophe Barratier, Pierre Philippe, Julien Rappeneau
  • Cinematographer: Tom Stern
  • Music: Reinhardt Wagner
  • Cast: Gérard Jugnot (Pigoil), Clovis Cornillac (Milou), Kad Merad (Jacky), Nora Arnezeder (Douce), Pierre Richard (M. TSF), Stéphane Debac (L'inspecteur des affaires sociales), Maxence Perrin (Jojo), Bernard-Pierre Donnadieu (Galapiat), François Morel (Celestin), Sophie Knittl (Mme Celestin)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 120 min
  • Aka: Paris 36

The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright