Cadet-Rousselle (1954)
Directed by André Hunebelle

Comedy / Adventure / History

Film Review

Abstract picture representing Cadet-Rousselle (1954)
Swashbuckling action historicals were hugely popular in France in the 1950s, and André Hunebelle was presumably hoping to capitalise on the success of Christian-Jaque's 1952 film Fanfan la Tulipe with his own early offering in the genre.   Cadet-Rousselle (1954) sees the improbable casting of François Périer as the lead romantic adventurer, aided and abetted (mostly abetted) by popular comic performer Bourvil.  Some distinguished character actors, such as Noël Roquevert, and some attractive ingénues, such as Dany Robin, complete the cast line-up.

It has to be said that Cadet-Rousselle is by no means the best example of its kind, and Hunebelle would do a far better job with his later historicals, Le Bossu (1959) and Le Capitan (1960).  Whilst a great film actor in his own right, François Périer appears misplaced as an action hero, having neither the physique or charisma of a Gérard Philipe or a Jean Marais.  By contrast, Bourvil is very much in his element as the cowardly buffoon, a role he would reprise a number of times in the years that followed.   The main weaknesses with Cadet-Rousselle, however, lie in its uninspired direction and its pedestrian, if not to say tedious, storyline.  Lacking a strong driving narrative and the kind of energy you would expect of a decent swashbuckler, the film feels pretty flat when compared with other, far better, examples such as Fantan la Tulipe.
© James Travers 2006
The above content is owned by frenchfilms.org and must not be copied.
Next André Hunebelle film:
L'Impossible Monsieur Pipelet (1955)

Film Synopsis

France, 1789.  Although Cadet-Rousselle is deeply in love with Isabelle, he knows that he cannot marry her as she is the mayor's daughter and he is a mere peasant.  As he travels to Paris to start a new life, Cadet-Rousselle is attacked by a party of bandits and left for dead.  He is found by some gypsies and they allow him to join them and participate in their public entertainments.  It isn't long before our hero is in love again - this time with the pretty gypsy girl Violetta.  The gypsies' leader gives Cadet-Rousselle a crucial errand to undertake. He must deliver a message to someone of great importance in Paris.  Accompanied by the comical but helpful gypsy Jérôme, Cadet-Rousselle sets out on this vital mission but he is soon captured by revolutionary police. He is charged with being a royalist spy, a crime that is a capital offence...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: André Hunebelle
  • Script: Jean Halain (dialogue), Jean-Paul Lacroix (story)
  • Cinematographer: Marcel Grignon
  • Music: Jean Marion
  • Cast: François Périer (Cadet Rousselle), Dany Robin (Violetta Carlino), Bourvil (Jérôme Baguindet), Madeleine Lebeau (Marguerite de Beaufort), Christine Carère (Isabelle), Noël Roquevert (Le commissaire Berton), Jean Parédès (Le général), Henri Crémieux (Le maire), Alfred Adam (Ravignol), Pierre Destailles (Rouget de Lisle), Louis Arbessier (Le tribun), Jacques Dufilho (Carlos), René Génin (Le curé), Jacques Dynam (L'aubergiste des Trois Grâces), Jacques Fabbri (Le colonel), Jean-Louis Jemma (Bonaparte), Marcel Pérès (Martin), Charles Bouillaud (Un colonel), Louis Bugette (Le gardien), Joé Davray (Arlequin)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 105 min

The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright