3 amis (2007)
Directed by Michel Boujenah

Comedy

Film Review

Abstract picture representing 3 amis (2007)
Actor-turned-director Michel Boujenah followed up his popular directorial debut feature Père et fils (2003) with this engaging but pretty lightweight portrait of friendship between a group of middle-aged people, viewed from a slightly cynical angle. It is a variation on the kind of 'greying buddy movie' that has become popular in French cinema in recent years, following the immense success of Marc Esposito's similarly themed Le Coeur des hommes (2003). Even though the characters are a little younger than in Esposito's film, and one of them is a woman (Mathilde Seigner), it's pretty well the same formulae - a group of individuals who have been friends for years come together to help each other out through their mid-life crises. Boujenah assembles an attractive cast which includes an all-too-brief appearance by Philippe Noiret in his final film role (he died not long after completing work on the film). 3 amis is an engagiing film but it fails to make much of an impact.  The situations are banal, the comedy predictable, the storyline bland and routine.  Unlike in Boujenah's likeable first film, the characters are thinly eketched stereotypes, although the three principals do their absolute best to make it work and succeed in squeezing a few laughs out of a mediocre screenplay.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Next Michel Boujenah film:
Le Coeur en braille (2016)

Film Synopsis

Claire, César and Baptiste have been the best of friends since they were children and they remain so to this day.  Now that they have reached middle-age, they need each other more than ever.  When Baptiste's wife tells them of her intention to leave her husband it falls to Claire and César to break the sad news to their friend.  As Baptiste sinks into depression, César hires a call girl to cheer him up.  Not realising that the young woman who enters his life unexpectedly is a prostitute, Baptiste falls madly in love with her.  Meanwhile, unbeknownst to her friends, Claire is busy looking for her natural mother, whose identity has so far been kept from her.  When they learn of this, Baptiste and César decide to give her a helping hand, but quickly regret getting involved...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Michel Boujenah
  • Script: Michel Boujenah, Pascal Elbé
  • Cinematographer: Philippe Pavans de Ceccatty
  • Cast: Mathilde Seigner (Claire), Pascal Elbé (César), Kad Merad (Baptiste 'Titi' Capla), Yves Rénier (Antoine), Daniel Duval (Francis), Annelise Hesme (Stefania), Constance Dollé (Barbara), Carole Richert (Patricia - la boulangère sexy), Marie Bunel (Florence Capla), Jobby Valente (Juliette), Richard Laune (Xavier), Jérémy Bardeau (Martin), Pascal Mottier (Le client '1001 Nuits' 1), Selim Saber (Le client '1001 Nuits' 2), Mallory Casas-Parramon (Le journaliste minoterie), Jérôme Jalabert (Le chef de rang du resto), Philippe Spiteri (Le fonctionnaire CNAOP 1), Stéphane Duron (Julien), Patrice Abbou (Le fonctionnaire CNAOP 2), Pierre Chevalier (Le client Serano 1)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 93 min

The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright