Isa Miranda

1905-1982

Biography: life and films

Isa Miranda was an Italian actress whose birth name was Ines Isabella Sanpietro. She was born in Milan, Italy on 5th July 1905 and died in Rome, Italy on 8th July 1982, aged 77.

Her best films as an actor include Henry Koster's Il diario di una donna amata (1935), Robert Florey's Hotel Imperial (1939), Gianni Franciolini's comedy Siamo donne (1953), David Lean's Summertime (1955) and Jacqueline Audry's Le Secret du Chevalier d'Éon (1959).

Isa Miranda appeared in 65 films.

She has most frequently worked with the following directors: Alfredo Guarini (3 films), Vittorio De Sica (2), Max Ophüls (2), Mauro Bolognini (2), Mario Soldati (2), Mario Bava (2) and Guido Brignone (2).

Her most frequent genres include: drama (43 films), comedy (12), romance (7), comedy-romance (5), comedy-drama (5), Thriller (4), history (3), War (2) and Horror (2).

Our average rating for Isa Miranda over all films is: 2.9

Filmography

Key: a = actor

Il caso Haller (1933) [a]

Creature della notte (1934) [a]

Il cardinale Lambertini (1934) [a]

La Signora di tutti (1934) [a]

Tenebre (1934) [a]

Il diario di una donna amata (1935) [a]

Passaporto rosso (1935) [a]

Du bist mein Glück (1936) [a]

Una donna tra due mondi (1936) [a]

L'Homme de nulle part (1937) [a]

Le Mensonge de Nina Petrovna (1937) [a]

Scipione l'africano (1937) [a]

Come le foglie (1938) [a]

Hotel Imperial (1939) [a]

Adventure in Diamonds (1940) [a]

Senza cielo (1940) [a]

È caduta una donna (1941) [a]

Documento Z-3 (1942) [a]

Malombra (1942) [a]

Zazà (1944) [a]

La Carne e l'anima (1945) [a]

Lo sbaglio di essere vivo (1945) [a]

L'Aventure commence demain (1948) [a]

Au-delà des grilles (1949) [a]

Patto col diavolo (1949) [a]

Botta e risposta (1950) [a]

La Ronde (1950) [a]

Cameriera bella presenza offresi... (1951) [a]

Gli uomini non guardano il cielo (1952) [a]

Les Sept péchés capitaux (1952) [a]

Siamo donne (1953) [a]

Avant le déluge (1954) [a]

Le Secret d'Hélène Marimon (1954) [a]

Raspoutine (1954) [a]

Gli sbandati (1955) [a]

I pinguini ci guardano (1955) [a]

Il tesoro di Rommel (1955) [a]

Summertime (1955) [a]

Arrivano i dollari! (1957) [a]

The Guilty (1957) [a]

Une manche et la belle (1957) [a]

Le Secret du Chevalier d'Éon (1959) [a]

La Corruzione (1963) [a]

La Noia (1963) [a]

Do You Know This Voice? (1964) [a]

Einer Frisst den anderen (1964) [a]

Hardi Pardaillan! (1964) [a]

The Yellow Rolls-Royce (1964) [a]

Una storia di notte (1964) [a]

Un monde nouveau (1966) [a]

Caroline chérie (1968) [a]

The Shoes of the Fisherman (1968) [a]

Hell Is Empty (1969) [a]

L'Assoluto naturale (1969) [a]

La Donna a una dimensione (1969) [a]

Dorian Gray (1970) [a]

Red Hot Shot (1970) [a]

Roy Colt e Winchester Jack (1970) [a]

Un estate con sentimento (1970) [a]

A Bay of Blood (1971) [a]

Marta (1971) [a]

Lo chiameremo Andrea (1972) [a]

Il Portiere di notte (1974) [a]

Le Farò da padre (1974) [a]

La Lunga strada senza polvere (1975) [a]

Habibi, amor mío (1981) [a]



The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright