The films of
Michèle Mercier

Retour de manivelle (1957)
Denys de La Patellière
  Ein Engel auf Erden (1959)
Géza von Radványi
  Tirez sur le pianiste (1960)
François Truffaut
 
     
Denys de La Patellière directed this respectable example of the suspense thriller, an adaptation of a James Hadley Chase novel which skilfully blends the style of American film noir with that of the conventional...  [More...]   One of the lesser works from Hungarian filmmaker Géza von Radványi, Ein Engel auf Erden is an absurd fantasy comedy that is memorable only for its cast...  [More...]   With one successful film (Les quatre cents coups) under his belt, director François Truffaut was free to indulge himself in two of his personal passions...  [More...]  

Angélique, marquise des anges (1964)
Bernard Borderie
  Le Tonnerre de Dieu (1965)
Denys de La Patellière
  Merveilleuse Angélique (1965)
Bernard Borderie
 
     
This is the first, and notably the best, in a series of five films chronicling the adventures of a beautiful 17th century marquise, Angélique...  [More...]   Although scarcely remembered today, when it was released in 1965, Le Tonnerre de Dieu was an amazing success, and one of the most popular films made in France up to that point...  [More...]   The second instalment in the series of five Angélique films directed by Bernard Borderie and starring Michèle Mercier is a creditable successor to the first...  [More...]  

Angélique et le roy (1966)
Bernard Borderie
  Indomptable Angélique (1967)
Bernard Borderie
  Angélique et le sultan (1968)
Bernard Borderie
 
     
The third in the series of five films adapted from the stories by Anne et Serge Golon sees Angélique torn between her loyalties to her state (whom she must serve to safeguard her children’s future) and her...  [More...]   This, the fourth installement in the five-part series of films based on the Angélique stories of Anne et Serge Golon very nearly never came about...  [More...]   The fifth and final instalment in the Angélique film saga is, despite some impressive production values, clearly the weakest. It lacks the warm sentimentality of the earlier films and seems overly preoccupied with...  [More...]  

Une corde, un Colt (1969)
Robert Hossein
     
     
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