The films of
Jean-Pierre Léaud

La Tour, prends garde! (1958)
Georges Lampin
  Les Quatre cents coups (1959)
François Truffaut
  Le Testament d'Orphée (1960)
Jean Cocteau
 
     
Jean Marais stars in this big budget historical fantasy directed by Georges Lampin. The film’s extravagant production values are not matched by the quality of its script nor its direction...  [More...]   One of the best-loved and most memorable of all French films, Les quatre cents coups established François Truffaut as a great film director and launched the acting career of Jean-Pierre Léaud. This is...  [More...]   Jean Cocteau’s final film is a fitting conclusion to a remarkable artistic career spanning over fifty years. The film manages to encompass all aspects of Cocteau’s creative genius and it is perhaps the best...  [More...]  

Antoine et Colette (1962)
François Truffaut
  Alphaville (1965)
Jean-Luc Godard
  Pierrot le fou (1965)
Jean-Luc Godard
 
     
Shortly after completing work on Jules et Jim, François Truffaut was commissioned by the producer Pierre Roustang to contribute a short film segment to his anthology L’Amour à vingt ans...  [More...]   If there had to be just one word to sum up Alphaville¸that word would have to be weird. It is a film that constantly challenges our preconceptions...  [More...]   Although it was originally conceived as a modest, low budget homage to the American gangster film, Pierrot le fou quickly earned a reputation as one of the most important films in French cinema and today is regarded...  [More...]  

Made in U.S.A. (1966)
Jean-Luc Godard
  Masculin, féminin (1966)
Jean-Luc Godard
  La Chinoise (1967)
Jean-Luc Godard
 
     
Having pretty well deconstructed the American crime thriller in Pierrot le fou, Jean-Luc Godard goes even further with his next policier outing, driving the genre to its absolute limits of abstraction and...  [More...]   This is another exquisitely funny and very stylish piece of cinema from one of France’s greatest directors, Jean-Luc Godard. It is also significant in that it is the first of Godard’s films in which the director...  [More...]   True fans of the director Jean-Luc Godard broadly divide into two categories: those who say that his career ended with La Chinoise; and those who insist (with an evil glint in their eyes) that this film marked the start...  [More...]  

Week End (1967)
Jean-Luc Godard
  Baisers volés (1968)
François Truffaut
  Le Gai savoir (1969)
Jean-Luc Godard
 
     
A film lost in the cosmos and A film found on the scrap-heap are the opening captions to what would be Jean-Luc Godard’s most virulent assault on contemporary French society...  [More...]   Six years after Antoine Doinel appeared in the Antoine et Colette segment of the compendium film L’Amour à vingt ans, François Truffaut felt the time was right to resurrect his famous alter ego...  [More...]   The film that marked Jean-Luc Godard’s definitive break with mainstream cinema in the 1960s and defined his future direction for the next decade and beyond was this daring experimental work...  [More...]  

Domicile conjugale (1970)
François Truffaut
  Les Deux Anglaises et le continent (1971)
François Truffaut
  Out 1: Nolie me Tangere (1971)
Jacques Rivette
 
     
Domicile conjugal is the fourth, and arguably the most humorous, installment in François Truffaut’s semi-autobiographical Antoine Doinel cycle of films...  [More...]   This is one of Truffaut’s most intense and sombre films about romantic love. He made the film a short while after actress Catherine Deneuve put an end to their two-year long love affair...  [More...]   Out 1 is like a more avant-garde Thomas Pynchon, or Honoré de Balzac on drugs. A true piece of art, it’s unpredictable, a darkly epic tragedy one moment...  [More...]  

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