The master returns - not to cheer us, but to break our hearts.
Despite being comfortably into his ninth decade, Alain Resnais still
hasn’t lost the knack of making films that reward the eye... [More...]
Lionel Delplanque’s second full length film, after the bland horror flick Promenons-nous dans les bois
(2000), is a creditable attempt to explore the human side of politics... [More...]