Tintin et le mystère de la Toison d'Or (1961)
Directed by Jean-Jacques Vierne

Adventure / Comedy

Film Review

Abstract picture representing Tintin et le mystere de la Toison d'Or (1961)
It was presumably the phenomenal success of Les Aventures de Tintin animated television series (first broadcast in France between 1957 and 1959, but repeated on a regular basis ever since) which led to this first live-action adaptation of Hergé's world popular comic books.   Hergé himself gave his blessing to the production and was reputedly pleased with the end result, as well he might.   Tintin et le mystère de la Toison d'Or is such a perfect evocation of the world of Tintin that anyone who grew up learning to read through the exploits of Tintin and his friends can hardly escape being swept away on a tide of nostalgia whilst watching it.   The film's popularity resulted in a sequel Tintin et les oranges bleues (1964) which, whilst good entertainment for the younger ones, doesn't quite have the magic and broad appeal of this first wonderful offering.

All of the familiar cartoon characters are instantly recognisable in human (and canine) form, particularly Jean-Pierre Talbot as the oddly quiffed androgynous reporter Tintin, who looks as if he might well have been the model for the original Hergé creation.  Georges Wilson, a distinguished French character actor, is hilarious as the lugubrious, whisky-swigging Captain Haddock, renowned as much for his comically irate spleen-venting (Mille sabords! / Blistering Barnacles!) as for his propensity for getting himself into trouble.  Professeur Tournesol (a.k.a. Professor Calculus) is there, looking so like his strip cartoon equivalent that you wonder whether he is played by a real actor, along with Tintin's faithful pooch Milou / Snowy.  It's really quite uncanny how close all of the characters in this film are to the ones in the original comic books.

Tintin et le mystère de la Toison d'Or is not only a well-made production, beautifully filmed in Turkey on what appears to be quite a substantial budget, it has a strong storyline which more than does justice to Hergé's original stories, and holds up pretty well against more adult-oriented action thrillers of the era.  The film is well-paced, stylish, funny and appeals just as much to adults as it does to children, particularly adults who have many happy memories of time spent following the exploits of Tintin and his colourful entourage as they take on the world's great criminal masterminds with cunning instead of the obligatory firearms.  It may lack the sophisticated special effects and modern cinematic gimmickry that Steven Spielberg employed on his The Adventures of Tintin (2011), made exactly half a century later, but this first live-action outing for Hergé's happy crime-fighting ensemble is closer in spirit to the original Tintin stories and is simply a magical piece of escapist cinema, whether you are 5 or 105.
© James Travers 2000
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Captain Haddock can hardly believe his good fortune when he receives a letter notifying him that he has inherited a ship named The Golden Fleece from an old friend of his, Paparanic.  Without a moment's delay, the good captain sets off to Istanbul to claim his inheritance, in the company of his friends Tintin and Milou.  Haddock's dreams of a new round of adventures at sea crumble to dust when he finds that his ship is nothing more than a run-down cargo vessel, one that is more than ready for the breaker's yard.   Convinced that the boat is worthless, the captain is understandably taken by surprise when a stranger, Anton Karabine, approaches him and offers him a large sum of money for it.

Their curiosity piqued, Tintin and Haddock undertake some research into the latter's unlikely benefactor and discover that, many years ago, he was involved in a coup d'état in a South American country named Tetaragua.  It seems that Paparanic even ended up as the country's leader for a few days, before being driven out of the country.  In his escape, Paparanic ran off with all the gold held in the vaults of the country's main bank.  Pursued by Karabine and his murderous henchmen, Tintin and his friends set out to uncover the whereabouts of the lost gold, but soon come to realise that they may have embarked on a wild goose chase.  Just when the adventure appears to have run its course  Professor Tournesol makes a remarkable discovery...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jean-Jacques Vierne
  • Script: Hergé, André Barret, Rémo Forlani
  • Cinematographer: Raymond Pierre Lemoigne
  • Music: André Popp
  • Cast: Jean-Pierre Talbot (Tintin), Georges Wilson (Capitaine Haddock), Georges Loriot (Professeur Tournesol), Milo (Milou), Charles Vanel (Père Alexandre), Marcel Bozzuffi (Angorapoulos), Max Elloy (Nestor), Serge Marquand (Le Facteur), Henri Soya (Claudion), Michel Thomass (Yéfime), Darío Moreno (Midas Papos), Demetrios Myra (Anton Karabine), Dimos Starenios (Scoubidouvitch), Gamonal (Dupont et Dupond), Guy Henry (Un bandit), Ulvi Uraz (Malik), Dora Stratou (Danseurs et musiciens folkloriques), Daniel Emilfork (Voice dubbing)
  • Country: France / Belgium
  • Language: Turkish / French / Greek
  • Support: Color
  • Runtime: 90 min

The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright