Taxi 2 (2000)
Directed by Gérard Krawczyk

Action / Comedy

Film Review

Abstract picture representing Taxi 2 (2000)
After the surprising runaway success of the all-action comedy Taxi in 1998, it was inevitable that Luc Besson would trot out a sequel in the same vein.  That film, imaginatively named Taxi 2, proved to be the biggest box office success in France in 2000 (attracting nearly 10.5 million spectators).

What the film does show, more than anything, is that, if they have a mind to, French film production companies are able to compete with big budget Hollywood action films.  From start to finish, the film is a high-octane, adrenaline-pumping race against time, as the film struggles to compress as many car chases, action stunts and quick-fire comic situations into the shortest possible time, whist still just about managing to hang on to something resembling a plot.

Unfortunately, that is really all there is to the film.  It is fast, it is funny, but it is also frustratingly unsatisfying and ultimately empty.  The charm of the first Taxi film was mainly in the interaction between the principal characters, especially the repartee between Daniel and Émilien.  The sequel, Taxi 2 , has nothing at all to offer in the way of characterisation, and if anything the characters are either irritatingly complacent or else little more than two-dimensional stereotypes.  The plot is equally disappointing, managing to be even thinner than Taxi (which is something of an achievement) and is not remotely credible - although some of the satirical elements (for example, France laughingly promoting herself as a world leader in anti-terrorist measures) do ring true.  Taxi 2 may have been a staggering popular success, but it is far from being a great film.
© James Travers 2002
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

The Japanese defence minister arrives in Marseilles to learn how the French police intend to cope with the growing problem of organised crime.  During a demonstration of an apparently invincible car, the Japanese minister is kidnapped by Japanese terrorists, along with the girlfriend of the hapless cop Émilien.  Having made an impression with his car driving skills, Daniel Morales is recruited by his prospective father-in-law, Général Bertineau, to rescue the kidnap victims and foil a bold assassination attempt.
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Gérard Krawczyk
  • Script: Luc Besson
  • Cinematographer: Gérard Sterin
  • Music: Al Khemya
  • Cast: Samy Naceri (Daniel Morales), Frédéric Diefenthal (Émilien Coutant-Kerbalec), Marion Cotillard (Lilly Bertineau), Emma Wiklund (Petra), Bernard Farcy (Commissaire Gibert), Jean-Christophe Bouvet (Général Edmond Bertineau), Frédérique Tirmont (Mother), Marc Faure (French Minister), Haruhiko Hirata (Japanese Minister), Tsuyu Shimizu (Yuli), Ko Suzuki (Katano), Yoshi Oida (Yuke Tsumoto), Kentaro (Yakuza), Hiro Uchiyama (Master Hypnotist), Onochi Seietsu (Master Hypnotist), Edouard Montoute (Alain), François Cottrelle (Plainclothes Cop at Airport), Tewhik Behar (Djamel), Jean-Louis Schlesser (Jean-Louis), Henri Magne (Co-Pilot)
  • Country: France
  • Language: French / Japanese / German
  • Support: Color
  • Runtime: 88 min

The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright