Peau de banane (1963)
Directed by Marcel Ophüls

Crime / Comedy
aka: Banana Peel

Film Review

Abstract picture representing Peau de banane (1963)
On 30th October 1963, film director Marcel Ophüls, son of the great Max Ophüls (La Ronde, Madame de..., Lola montès) presented his second film Peau de banane, a Franco-Italian production based on a novel by Charles Williams.  After the unsuccessful La Mer à boire and the disappointing L'Ainé des ferchaux, the crime-comedy Peau de banane, written by film director Claude Sautet (Classe tous risques) and filmed by Marcel Ophüls and his assistant Costa-Gavras (Compartiment tueurs) brought actor Jean-Paul Belmondo the popular hit he needed.

Marcel Ophüls proves to be a worthy successor to his father and offers a skilful piece of work with a funny and very dynamic Belmondo teamed up with an irresistible and enchanting Jeanne Moreau (who sings the lovely ballad Embrasse-moi).  With our leading duo playing two sympathetic crooks, the supporting cast includes a pleasant Claude Brasseur and Jean-Pierre Marielle.  A special mention goes to Alain Cuny, a mainstay of French cinema (seen in Marcel Carné's Les Visiteurs du soir) and also to German actor Gert Fröebe, who will later make an unforgettable Auric Goldfinger.  Peau de banane is a cheerful and inventive film with some inspired dialogue.  It has nice way of manipulating the viewer and keeping his attention by sending him down several wrong tracks.  However, it suffers from a lack of rhythm owing to the complexity of the plot.  Peau de banane was an immediate popular success, attracting an audience of two million in France.  It is now available on DVD.
© Willems Henri (Brussels, Belgium) 2012
The above content is owned by frenchfilms.org and must not be copied.
Next Marcel Ophüls film:
Le Chagrin et la pitié (1969)

Film Synopsis

Cathy, a seductive young woman, decides to take revenge on two crooks, Bontemps and Lachard. These two are responsible for the bankruptcy and ruin of her father, and so she asks Michel, her ex-husband, to give her a helping hand. There is no other solution for them than to become crooks themselves, so they conceive a shady deal with Bontemps on a island in Brittany. The first part of their plan is a success and they leave with a huge sum of money. The second part is to take place in Monte Carlo, where they can expect a dramatic showdown with Lachard...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Marcel Ophüls
  • Script: Daniel Boulanger, Marcel Ophüls, Claude Sautet, Charles Williams (novel)
  • Cinematographer: Jean Rabier
  • Music: Ward Swingle
  • Cast: Jeanne Moreau (Cathy), Jean-Paul Belmondo (Michel Thibault), Claude Brasseur (Charlie Meyer), Jean-Pierre Marielle (Paul Reynaldo), Gert Fröbe (Raymond Lachard), Paulette Dubost (Germaine Bontemps), Cathy Baïeff (La compagne de Lachard), Bob Morel (Un truand), Henri Poirier (Antoine), Charles Regnier (Le vrai Bontemps), Alain Cuny (Hervé Bontemps), Franck Maurice (Un turfiste), Pierre Mirat (Garibaldi), Dominique Zardi (L'employé du bookmaker au téléphone), Maurice Auzel
  • Country: Italy / France / West Germany
  • Language: French
  • Support: Black and White
  • Runtime: 99 min
  • Aka: Banana Peel

The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright