Par un beau matin d'été (1965)
Directed by Jacques Deray

Crime / Drama
aka: Crime on a Summer Morning

Film Review

Abstract picture representing Par un beau matin d'ete (1965)
Former assistant to Luis Buñuel and Jules Dassin, Jacques Deray released his fourth crime drama, Par un beau matin d'été, on the 17th February 1965.  Based on a book by James Hadley Chase, the simple storyline (involving crooks and gangsters who kidnap a young heiress and hold her to ransom) is perhaps a little familiar.  It has to be said that the film is, overall, unremarkable but it benefits from a fine cast and some crisp photography of its sun-drenched countryside locations.  If the first half is generally light-hearted, it becomes more serious when the criminals begin to deal with the dramatic consequences of their actions. 

Some critics have said that because of its uneven pace and lack of action the film has difficulty taking flight, and the magnificent score from Michel Magne makes a stark contrast with Michel Audiard's uninspired dialogue.  Others have said that Jacques Deray does a fine job of sustaining tension where there is none.  Nevertheless, almost everyone agreed that some intriguing plot developments maintain the viewer's attention in a movie strewn with tense moments. 

The superb cast is headed by the biggest French star of the time, Jean-Paul Belmondo, although he seems a little lost and wasted on this lacklustre crime film.  Perhaps the most striking presence in the film is that of the sparkling Sophie Daumier, who plays Belmondo's sexy sister.  Special mention goes to the actor Georges Geret, and a very young Geraldine Chaplin makes a remarkable debut as Zelda.  The supporting players include Jacques Monod, Italian actors Gabriele Ferzetti and Adolfo Celli, as well as the wonderful American-Armenian actor Akim Tamiroff.  Par un beau matin d'été may have been a critical and artistic failure, but this did not prevent it from attracting an audience of 1.5 million.
© Willems Henri (Brussels, Belgium) 2012
The above content is owned by frenchfilms.org and must not be copied.
Next Jacques Deray film:
Avec la peau des autres (1966)

Film Synopsis

On the Côte d'Azur, Francis and his sister Monique make a comfortable living by dubious means.  Monique lures men to her bedroom where, in the course of their lovemaking, they are surprised by Francis, who demands financial reparation to avoid a scandal.  Bored with this way of life, Francis and Monique allow a hoodlum to talk them into participating in a kidnapping that will earn them millions in one fell swoop.  In Spain, they succeed in abducting the teenage daughter of a wealthy man, but all too soon the plan begins to unravel, with dramatic consequences...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jacques Deray
  • Script: M. Andriard, Georges Bardawil, Jacques Deray, Maurice Fabre, Didier Goulard, Arturo Rígel, Michel Audiard (dialogue), James Hadley Chase (novel)
  • Cinematographer: Juan Julio Baena, Jean Charvein
  • Music: Michel Magne
  • Cast: Jean-Paul Belmondo (Francis), Sophie Daumier (Monique), Geraldine Chaplin (Zelda), Gabriele Ferzetti (Victor Dermott), Georges Géret (Max), Akim Tamiroff (Frank Kramer), Claude Cerval (Jean-Pierre 'Pierrot'), Adolfo Celi (Van Willie), Jacques Monod (Joseph Lucas), Germaine Kerjean (la mère de Max), Analía Gadé (Consuelo Dermott), Jacques Higelin (Le motard), Michèle Viborel (La copine de Francis), Carlos Casaravilla (Le commissaire), Guy Di Rigo (Le barman), Félix Fernández (Dr Fabregas), Manuel Zarzo (L'employé du téléphone)
  • Country: France / Spain / Italy
  • Language: French
  • Support: Black and White
  • Runtime: 109 min
  • Aka: Crime on a Summer Morning

The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright