One of Our Aircraft Is Missing (1942)
Directed by Michael Powell, Emeric Pressburger

Drama / War

Film Review

Abstract picture representing One of Our Aircraft Is Missing (1942)
One of Our Aircraft Is Missing is one of the great wartime propaganda films of British cinema, an effective drama that provided a much-needed boost to the morale of the British people in the early years of the Second World War.  It was the first film that Michael Powell and Emeric Pressburger made for their newly formed production company, The Archers, although they had collaborated on three previous films, all wartime propaganda films: The Spy in Black (1939), Contraband (1940) and 49th Parallel (1941).

Although slightly less well regarded than Powell and Pressburger's other war films, One of Our Aircraft Is Missing still has a great deal to commend it.   After an intriguing pre-credits sequence, the film's opening segment plunges the audience straight into wartime drama with a spectacularly realised recreation of an RAF bombing mission.  What this sequence has, and which many similar war films lack, is the human dimension.  The characters are portrayed not as action heroes but as ordinary men doing an extraordinary job.  They chat casually about girlfriends and life back home whilst steering a course through enemy fire and preparing to bomb an unsuspecting town below.  The film's naturalism is perhaps the most striking thing about it - war is portrayed not as a great adventure but as life as it happened to be at the time.  In some ways, the film presages the trend for social realism that would significantly impact on British cinema after the war.

The film's excellent cast includes some familiar faces - Googie Withers, Bernard Miles and, in his first film role, Peter Ustinov.   Michael Powell also appears in the film, briefly as a radio operator.  The editing was undertaken by David Lean, one of the best technicians in his field at the time, who would soon embark on a highly successful career as a film director.   The film's stunning photography - which achieves an effective synthesis of documentary realism and expressionistic lighting - was by Ronald Neame, one of Britain's finest cinematographers, who would also turn his hand to directing within a few years.  With so much talent on both sides of the camera lens and with such a powerful story to tell, it is hardly surprising that One of Our Aircraft Is Missing is regarded by many as an essential WWII film.
© James Travers 2008
The above content is owned by frenchfilms.org and must not be copied.
Next Michael Powell film:
The Life and Death of Colonel Blimp (1943)

Film Synopsis

1941.  In a raid over Nazi Germany, the crew of an RAF Wellington bomber are forced to bail out when their aeroplane is damaged by enemy fire.  They land in occupied Holland and have the good fortune to meet up with a fiercely patriotic resistance group.  However, one of the airmen has managed to get himself separated from the others.  If he is caught by the German patrols, all of their lives will be in danger.  Their new Dutch friends insist that the airmen must leave the country as soon as possible and contrive a scheme to get them back to England...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Michael Powell, Emeric Pressburger
  • Script: Emeric Pressburger, Michael Powell
  • Cinematographer: Ronald Neame
  • Cast: Godfrey Tearle (Sir George Corbett), Eric Portman (Tom Earnshaw), Hugh Williams (Frank Shelley, Observer), Bernard Miles (Geoff Hickman), Hugh Burden (John Glyn Haggard), Emrys Jones (Bob Ashley), Pamela Brown (Els Meertens), Joyce Redman (Jet van Dieren), Googie Withers (Jo de Vries), Hay Petrie (The Burgomaster), Selma Vaz Dias (Burgomeister's wife), Arnold Marlé (Pieter Sluys), Robert Helpmann (De Jong), Peter Ustinov (The Priest), Alec Clunes (The Organist), Hector Abbas (Driver), James B. Carson (Louis), Willem Akkerman (Willem), Joan Akkerman (Maartje), Peter Schenke (Hendrik)
  • Country: UK
  • Language: English / Dutch / German / Latin
  • Support: Black and White
  • Runtime: 102 min

The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright