Les Émotifs anonymes (2010)

aka: Romantics Anonymous
Comedy / Romance


Les Émotifs anonymes photo
Angélique has a passion and an instinct for the art of chocolate making that is virtually unrivalled. But she is also chronically shy, so when she goes for a job interview at a chocolate factory she is almost paralysed with fear. It so happens that the owner of the factory, Jean-René, is just as timid as she is, and it looks as if Fate has been working over time to bring them together. Whilst Jean-René and Angélique are clearly made for one another, their inability to communicate their true feelings may prove to be too great an obstacle to overcome...
© filmsdefrance.com 2012

Film Review

Film poster
Definitely one of the sweetest French romantic comedies of 2010. A light, fluffy confection that plucks all the right emotional chords, Les Émotifs anonymes is the kind of film you can watch between Hollywood blockbusters without ruining your appetite. Himself a victim of chronic shyness, director Jean-Pierre Améris deals sensitively and humorously with a condition that is more widespread than you might think, and uses it to provide the basis for a feel-good rom-com of exceptional charm. As in C'est la vie (2001), a light-hearted comedy-drama about terminal illness, Améris takes a potentially difficult subject and delivers an engaging film that is both true to life and irresistibly amusing, with a whiff of the old-fashioned fairytale about it.

Benoît Poelvoorde and Isabelle Carré are supremely well cast as the film's two emotionally challenged lead protagonists - both have a natural air of Dresden china fragility which compels the spectator to sympathise with rather than sneer at their protagonists' crippling condition. (Neither character can say so much as a stifled 'hello' without breaking into a cold sweat and looking like someone about to face a firing squad.)  Poelvoorde and Carré had previously appeared together in an altogether different kind of romantic set-up, Anne Fontaine's unsettling thriller Entre ses mains (2005), and as on that film they complement one another perfectly, devastatingly convincing as solitary souls drawn to one another by the unspoken mysteries of love and a shared guilty pleasure.

Visually, Les Émotifs anonymes looks disturbingly like the interior of a Belgian chocolate shop from the 1950s - too pretty to be real and yet strangely alluring in a way that is both heart-warming and ever so slightly sinister. The cutely kitsch design certainly matches the film's sugary subject matter but it also emphasises the main characters' distorted view of the world and their obsession with that most seductively sensual of confectionary products. For Jean-René and Angélique, chocolate is far more than an appetite quencher, it is a magical elixir which provides comfort and allows them to cope with their emotional handicap. So why should they not see the world through cocoa-tinted glasses?  It is true that a surfeit of sugary confectionary can sometimes make you violently sick, but this is definitely not the case here. Les Émotifs anonymes is a cinema gourmet's delight, a tender, idiosyncratic little comedy that is tastier than a fondant fancy, more delicate than a Cadbury's Flake, and infinitely better for your waistline.
The above article was written for filmsdefrance.com and should not be reproduced in any medium without the author's permission.


Les Émotifs anonymes was nominated for 1 César in the category of: Best Actress (Isabelle Carré) [2011].


The director Jean-Pierre Améris also worked with the actor Isabelle Carré on the film Marie Heurtin (2013).

Film Credits

  • Director: Jean-Pierre Améris
  • Script: Jean-Pierre Améris, Philippe Blasband, Diane Bardinet
  • Cinematographer: Gérard Simon
  • Music: Pierre Adenot
  • Cast: Benoît Poelvoorde (Jean-René Van Den Hugde), Isabelle Carré (Angélique Delange), Lorella Cravotta (Magda), Lise Lamétrie (Suzanne), Swann Arlaud (Antoine), Pierre Niney (Ludo), Stéphan Wojtowicz (Le psychologue), Jacques Boudet (Rémi, un émotif anonyme), Alice Pol (Adèle), Céline Duhamel (Mimi), Philippe Fretun (Maxime), Grégoire Ludig (Julien), Philippe Gaulé (Philippe), Joëlle Séchaud (Joëlle), Isabelle Gruault (Sylviane), Claude Aufaure (M. Mercier), Philippe Laudenbach (Le président du jury du salon du chocolat), Marie-Christine Demarest (Madame Legrand), Pascal Ternisien (Le serveur restaurant), Jean-Yves Chatelais (Le réceptionniste), Christiane Millet (La mère d'Angélique), Vincent Paillier (Franck), Eric Naggar (Le gérant méprisant), Vijay Singh (Le vendeur de roses), Noémie Landreau (La vendeuse 'À la Mère de Famille')
  • Editor: Philippe Bourgueil
  • Costume designer: Sophie Breton, Nathalie du Roscoat
  • Producer: Nathalie Gastaldo, Philippe Godeau, Olivier Rausin, Arlette Zylberberg
  • Production company: Pan Européenne Production, Studio Canal, France 3 Cinéma, Rhône-Alpes Cinéma, Climax Films, Radio Télévision Belge Francophone, Canal+, CinéCinéma, France Télévision, La Banque Postale Image 3, Cinémage 4, Uni Étoile 7, Le Tax Shelter du Gouvernement Fédéral de Belgique, Casa Kafka Pictures, Movie Tax Shelter Empowered by Dexia
  • Country: France / Belgium
  • Language: French
  • Support: Color
  • Runtime: 80 min
  • Aka: Romantics Anonymous ; Les émotifs anonymes

Related articles

2015 film releases

Read more about the French films to be released in 2015...

The Silent Era

Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.

The Golden Age

Discover the best French films of the 1930s, a decade of cinematic delights...

The Occupation Era

Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.

The New Wave

A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.