Encouraged by the success of their first film, Les Trois frères (1995), Didier Bourdon
and Bernard Campan tried their luck once more, this time without the third member of their
team (Les Inconnus), Pascal Légitimus. Le
Pari is the result, a quirky but not wholly satisfactory comedy in which Bourdon
and Campan are clearly having more fun than the spectator. The problem with the
film is that it quickly departs from its central premise and becomes a rather haphazard
comedy, lacking any clear narrative sense. Admittedly, some of the comic situations
work well, but the confused plot and drawn out ending are flaws which are hard to overlook.
The above content is owned by frenchfilms.org and must not be copied.
Next Didier Bourdon film: L'Extraterrestre (2000)
Film Synopsis
Didier and Bernard are two men who appear to have nothing in common, other than the fact
they are married to women who are sisters. Didier is a successful pharmacist with
middle class pretensions; Bernard is a down-at-heel teacher in a rough high school.
The one thing that does unite them is their love for tobacco. Their stepfather has
the same failing, and it is ruining his health. To encourage the latter to give
up his fatal addiction, Didier and Bernard agree to a bet - to give up cigarettes for
a fortnight. At first, both men are amazed by how easy it is to stop smoking.
However, within a few days, both Didier and Bernard are near breaking point, and so are
their marriages...
Cast:Didier Bourdon (Didier),
Bernard Campan (Bernard),
Isabelle Ferron (Murielle),
Isabel Otero (Victoria),
Hélène Surgère (Mme Ramirez),
Roger Ibáñez (Vincente Ramirez),
Kelly Lawson (Elodie),
Christian Barbier (Le présentateur TV),
François Berléand (Docteur Bricourt),
Philippe Chevallier (L'animateur de groupe),
François Du Merle (Hobo),
Matthew Géczy (Michael),
Daniel Isoppo (Gérard),
Nicole Jamet (La femme médecin),
Martine Lang (Madeleine Bricourt),
Régis Laspalès (Gilbert),
Marie-Laurence (Mme de Luynes),
Théo Légitimus (M. Léopold),
Robert Plagnol (Franck Tullio),
Bonnafet Tarbouriech (Bernard's co-worker)
Country: France
Language: French
Support: Color
Runtime: 100 min
The Carry On films, from the heyday of British film comedy
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.