La Doublure (2006)
Directed by Francis Veber

Comedy
aka: The Valet

Film Review

Abstract picture representing La Doublure (2006)
Francis Veber's film comedies have a broad and enduring appeal, and some, such as La Chèvre (1981) and Le Dîner de cons (1998) have become classics of French cinema.   La Doublure may not be the director's best comedy offering to date but it has many of the ingredients of an enjoyable Veber farce, notably the quick-fire wordplay and abundance of absurd comic situations.  Admittedly, the jokes are not as fresh or piquant as in previous Veber comedies, but a top notch cast helps to compensate for this, even if most of the parts are blatant caricatures who have as much charm and depth as a sheet of very thin card or a reality TV contestant.   Daniel Auteuil and Richard Berry just about steal the show with their bizarre double act, which has a horribly familiar Tony Blair / Alastair Cambell resonance to it, alas without the hilarious WMD wheeze which had us all rolling in the aisles in 2002.

Gad Elmaleh is the latest fearless thespian to assume the mantle of Veber's likable comic hero François Pignon, who, like James Bond and Dr Who, has a peculiar habit of changing his face and his personality every year or so, suggesting he is either an agent in the employ of British Intelligence, or a Time Lord who happens to like France a lot.  The accident-prone Pignon was originally played (to perfection) by Jacques Brel in the 1973 film L'Emmerdeur (scripted by Veber), and was then subsequently portrayed by such stars as Pierre Richard, Jacques Villeret and Daniel Auteuil.  So far, no explanation for the frequent face changing has been given, although tax avoidance is clearly a possibility.

François Pignon is not to be confused with another recurring Veber hero, François Perrin, who has been played by Pierre Richard, Patrick Dewaere and Patrick Bruel.  There has been some speculation that the two characters - Pignon and Perrin - are the same man, a notion that is substantiated by the fact that Pierre Richard has played both roles.  Of course, on that logic, Hamlet and Othello would be the same man, because they were both played by Laurence Olivier.  Hopefully, Francis Veber will one day resolve the matter by putting Perrin and Pignon together in the same film - and wouldn't it be fun if they turned out to be a pair of shape-changing aliens...?
© James Travers 2008
The above content is owned by frenchfilms.org and must not be copied.
Next Francis Veber film:
L'Emmerdeur (2008)

Film Synopsis

Wealthy businessman Pierre Levasseur faces a potentially ruinous divorce when a magazine publishes a photograph of him having a tryst with his mistress, the supermodel Elena Simonsen.  His lawyer Foix comes to his rescue, suggesting that he pays off another man in the photograph to pose as Elena's boyfriend for the next few weeks.  The man in question is François Pignon, an unassuming valet who works for an exclusive restaurant.  He accepts Levasseur's proposal, intending to give the money he is offered to his girlfriend Émilie to save her bookshop from going bust.  The only person who is unhappy with the arrangement is François's flatmate, Richard, who has to go back to living with his alcoholic mother.   Having signed a contract with Foix that guarantees her twenty million euros if Levasseur fails to leave his wife for her in the near future, Elena moves in with François.  At first, the stratagem seems to work, but Levasseur's wife is no fool and soon discovers she is being duped...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Francis Veber
  • Script: Francis Veber
  • Cinematographer: Robert Fraisse
  • Music: Alexandre Desplat
  • Cast: Gad Elmaleh (François Pignon), Alice Taglioni (Elena), Daniel Auteuil (Levasseur), Kristin Scott Thomas (Christine), Richard Berry (Maître Foix), Virginie Ledoyen (Émilie), Dany Boon (Richard), Michel Jonasz (André), Michel Aumont (Le Médecin), Laurent Gamelon (Paul), Patrick Mille (Pascal), Michèle Garcia (Louise), Philippe Magnan (Berman), Jean-Yves Chilot (Hervé), Irina Ninova (Marie), Philippe Beglia (Maître d'Hôtel), Noémie Lenoir (Karine), Sandra Moreno (Secrétaire Levasseur), Jean-Pol Brissart (Mauricet), Philippe Brigaud (Monsieur Hervé)
  • Country: France / Italy / Belgium
  • Language: French
  • Support: Color
  • Runtime: 85 min
  • Aka: The Valet

The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright