Chacun sa chance (1930)
Directed by René Pujol, Hans Steinhoff

Comedy / Musical / Romance

Film Review

Abstract picture representing Chacun sa chance (1930)
Jean Gabin may have lent his name to a few nondescript silent films in the late 1920s but his screen career proper began with this 'filmed operetta', one of the first sound films to be made in France.  By this time, the 26-year-old Gabin had become one of the biggest stars of the French music hall, and having featured in several popular stage operettas it is fitting that his first film should be in the same milieu, capitalising on Gabin's penchant for song and comedy.  Here, Gabin is partnered with his first wife, Gaby Bassett, whom he had only recently divorced.  Another notable musical hall artiste of the time, Jean Sablon, also appears, in a supporting role.

The severe limitations that early sound recording equipment imposed on filmmakers in the early 1930s are evident throughout Chacun sa chance, to the extent that it resembles exactly what it claims to be, 'une opérette filmée'.  There are one or two interesting tracking shots but for the most part the camera is rigidly static and much of the film plays as a modest theatrical production, complete with a wordy (and pointless) introduction and seemingly interminable overture in which the camera is stuck in the orchestra pit.  With one notable exception (a pleasing duet sung by Gabin and Bassett) the musical numbers are pretty dire and do little to enhance the trite and repetitive storyline which falls back on the old vaudevillian device of a case of mistaken identity.

Had Jean Gabin's name not been in the credits, Chacun sa chance would most probably have been lost in the mists of time, deservedly so.  Gabin is far from being the great dramatic actor that he would become later in the decade but his presence lights up an another grimly lacklustre production.  With Gabin waiting in the wings, it's a shame that so much of the film's runtime is wasted on tediously unfunny comic exchanges involving far less talented performers (pity poor André Urban and Hubert Daix, who have to muddle their way through some of the worst lines in any film).  As musical comedies go, Chacun sa chance is towards the lower end of the quality spectrum, but with one of French cinema's most iconic actors making his debut this creaking piece of 1930s ephemera could hardly escape snatching its unworthy place in posterity. Before he began his association with director Julien Duvivier on Maria Chapdelaine (1934), Gabin's talents would be wasted on similar low-grade fare, including Paris-Beguin (1931) and Tout ça ne vaut pas l'amour (1931).
© James Travers 2014
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Marcel Grivot may be a modest sales assistant in one of Paris's more exclusive department stores but he dreams of living the high life.  One evening, he gets the chance to do just that.  Borrowing evening dress from a display stand, he goes out for a night on the town and is mistaken for the wealthy Baron de Monteuil.  After a visit to the theatre he meets a dazzling young socialite, Simone, and falls in love with her, not knowing that she is as poor as he is and earns her living by selling chocolate at the theatre.  The evening ends with Marcel inviting Simone back to the Baron's mansion.  Fortunately, when the real Baron shows up Marcel has information that will not only extricate him from an awkward situation but will also enhance his future career prospects...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: René Pujol, Hans Steinhoff
  • Script: Richard Arvay, René Pujol, Charlie Roellinghoff, Bruno Hardt-Warden (story)
  • Cinematographer: Victor Arménise
  • Music: Nico Dostal, Walter Kollo
  • Cast: Renée Héribel (La baronne de Monteuil), André Urban (Le Baron), Jean Gabin (Marcel Grivot), Gaby Basset (Simone), Jean Sablon (Jean d'Arthaud), Raymond Cordy (Le pochard), Hubert Daix (Directeur de magasin), Jane Pierson, Germaine Laborde, Hélène Christiane, Josyane, Odette Josylla
  • Country: France / Germany
  • Language: French
  • Support: Black and White
  • Runtime: 82 min

The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright