Sirocco
1951 War / Drama / Action   
 
  • Director: Curtis Bernhardt
  • Script: A.I. Bezzerides, Hans Jacoby, Joseph Kessel (novel)
  • Photo: Burnett Guffey
  • Music: George Antheil
  • Cast: Humphrey Bogart (Harry Smith), Märta Torén (Violette), Lee J. Cobb (Col. Feroud), Everett Sloane (Gen. LaSalle), Gerald Mohr (Major Jean Leon), Zero Mostel (Balukjiaan), Nick Dennis (Nasir Aboud), Onslow Stevens (Emir Hassan), Ludwig Donath (Flophouse proprietor), David Bond (Achmet), Vincent Renno (Arthur), Abdullah Abbas (Arab singer)
  • Country: USA
  • Language: English / Arabic
  • Runtime: 98 min; B&W
 
 
 
Summary
In 1925, Syria is under French control.  In Damascus, Emir Hassan resents the presence of French soldiers in his country and leads a violent insurrection which threatens to engulf the country.  Meanwhile, the French officer Colonel Féroud is determined to end the fighting by peaceful means.  His opportunity comes when he uncovers a gunrunner, Harry Smith, who has been supplying guns and ammunition to Hassan.  Féroud makes Harry an offer he can’t refuse – to arrange a meeting with the Emir so he can negotiate a peace treaty.

Critique
One's critical perception of Sirocco is somewhat tarnished by the fact that it is an all too obvious attempt to cash in on the success of Casablanca (1942).  With a plot and setting that closely mirrors that of Casablanca, and with Humphrey Bogart again playing a cynical, politically neutral American expatriate, Sirocco can hardly be judged in any other light.  The film does have some strengths – atmospheric film noir photography and effective performances from Bogart and Lee J. Cobb – but these are greatly undermined by the uninspired direction, weak supporting cast and painfully contrived screenplay.  Most Bogart enthusiasts rate this as one of his worst films – and with some reason.

© James Travers 2008


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