Nous irons tous au paradis (1977)   Comedy  


  • Director: Yves Robert
  • Script: Jean-Loup Dabadie, Yves Robert
  • Photo: René Mathelin
  • Music: Vladimir Cosma
  • Cast: Jean Rochefort (Etienne Dorsay), Claude Brasseur (Daniel), Guy Bedos (Simon), Victor Lanoux (Bouly), Danièle Delorme (Marthe Dorsay), Marthe Villalonga (Mouchy, Simon’s mother), Jenny Arasse (Bernadette, Etienne’s co-worker), Josiane Balasko (Josy), Anne-Marie Blot (Marie-Ange, Bouly’s ex-wife), Elisabeth Margoni (Daisy, Bouly’s fiancee), Pascale Reynaud (Delphine, Etienne’s younger daughter), Maïa Simon (Madame Chalamand), Catherine Verlor (Stéphanie, Etienne’s older daughter), Jean-Pierre Castaldi (The bully), Vania Vilers (Banoît, Marthe’s lover), Daniel Gélin (Bastien), Gaby Sylvia (Marie-Christine)
  • Country: France
  • Language: French
  • Runtime: 110 min
  • Aka: Pardon Mon Affaire, Too!; We Will All Meet in Paradise






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Synopsis
When he finds a photograph of his wife kissing another man, Etienne Dorsay becomes mad with jealousy and decides to conduct his own investigation, trailing his wife wherever she goes.  His three friends – Daniel, Simon and Bouly – are similarly going through something of a mid-life crisis.  Simon’s attempts to get married are repeatedly thwarted by his overly possessive mother, whilst Bouly is fighting a constant battle to keep the children of his many amorous liaisons.  Most surprising of all, Daniel – an overtly gay man – falls in love with a much older woman and decides to get married.  With their love lives in turmoil, the four friends seek distraction by buying a house in the country.  Unfortunately, even this decision proves to be a disaster…

Film Review
After the popular success of Un éléphant ça trompe énormément, director Yves Robert reunited his four luckless heroes in this equally charming sequel.  As in the earlier film, Nous irons tous au paradis follows four very different middle-aged men who find sanctuary from their mid-life crises through their friendship.  Being a typically French sophisticated comedy, most of the jokes are in the dialogue, but there are also a number of brilliant deadpan visual jokes.  The film benefits greatly from a strong cast which includes Jean Rochefort (whose comic timing here is impeccable) and Claude Brasseur.  Despite the somewhat rambling narrative and an intrusive voice over narration, this is an enjoyable film which offers some succour to those who are experiencing the first string of the male menopause.

© James Travers 2004

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