Mortelle randonnée
1983 Crime / Thriller / Comedy   
 
Credits
  • Director: Claude Miller
  • Script: Michel Audiard, Jacques Audiard, based on the novel "The Eye of the Beholder" by Marc Behm
  • Photo: Gilbert Duhalde, Pierre Lhomme
  • Music: Carla Bley, Franz Schubert
  • Cast: Michel Serrault (Beauvoir, The 'Eye'), Isabelle Adjani (Catherine Leiris), Guy Marchand (The pale man), Stéphane Audran (The grey lady), Macha Méril (Madeleine), Geneviève Page (Mme. Schmidt-Boulanger), Sami Frey (Ralph Forbes), Dominique Frot (Betty), Patrick Bouchitey (Michel de Meyerganz), Isabelle Ho (Cora Palenbrg), François Bernheim (Jerry), Gilberte Lauvray (La curiste), Jean-Claude Brialy (Voragine)
  • Country: France
  • Language: French
  • Runtime: 120 min
  • Aka: Deadly Circuit; Deadly Run
 
 
 
Summary
Beauvoir, an ageing private detective, has spent years trying to make contact with his missing daughter.   One day, he is assigned to a murder case, and finds himself on the trail of a serial killer, Catherine.   Convinced that she is his long-lost daughter, Beauvoir helps the killer to evade capture by the police.  Catherine finally finds true love in a blind architect, Ralph, but he is killed in an accident provoked by Beauvoir’s jealousy.  Catherine once again goes on the run, teaming up with a young crook, Betty.  Undeterred, Beauvoir is not far behind…



Review
Easily one of Claude Miller’s most striking and subversive films, Mortelle randonnée is the kind of seductively stylish comedy-thriller which only the French know how to make.  Forceful performances from charismatic lead actors Michel Serrault and Isabelle Adjani (both at their best) lend the film a spine-tingling intensity, and more than a touch of real poignancy.   Some wickedly dark black comedy and clever plot twists spice up what could have ended up as a straightforward parody of the noir thriller.   The overall result is certainly impressive – a hugely original film that veers about like an out-of-control juggernaut, switching chaotically between hard-edged thriller, profoundly unsettling drama and deliciously warped farce. It is what you might call a killingly funny romp.

© James Travers 2007


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