Les Innocents aux mains sales
1975 Thriller    
 
Credits
  • Director: Claude Chabrol
  • Script: Claude Chabrol, based on the novel "The Damned Innocents" by Richard Neely
  • Photo: Jean Rabier
  • Music: Pierre Jansen
  • Cast: Romy Schneider (Julie Wormser), Rod Steiger (Louis Wormser), François Maistre (Commissaire Lamy), Paolo Giusti (Jeff Marle), François Perrot (Georges Thorent), Hans Christian Blech (Le juge), Pierre Santini (Commissaire Villon), Jean Rochefort (Maître Albert Légal), Henri Attal (Police Officer), Serge Bento (Directeur de Banque), Jean Cherlian (Le policier du bateau)
  • Country: France
  • Language: French
  • Runtime: 121 min
  • Aka: Dirty Hands; Innocents with Dirty Hands
 
 
 
Summary
Julie Wormser lives in comfort in St Tropez with her wealthy husband, Louis, who drinks too much and is impotent.  By chance, she meets an attractive young writer, Jeff, with whom she starts to have an affair.  The two lovers plan to murder Louis and make his death look like a boating accident.  Unfortunately, things do not go according to plan.  Julie is horrified to learn that not only does her husband disappear, but so does all his money - and then her new lover...

Review
Les innocents aux mains sales is a well-crafted and thoroughly watchable piece of French cinema.  The plot, with its stunning twists, is brilliant and - surprisingly unpredictable.   The sub-plot of the policemen coming up with an apparently unshakeable theory to explain developments immediately after we have just arrived at the same - incorrect - conclusion is a very clever and effective plot device, emphasising the surprise element in what follows.  (If the police believe what we believe, then we must be right - mustn’t we?)

The acting is generally of a high standard, with particularly impressive performances from Romy Schneider and Rod Steiger.   Schneider’s reaction to events beyond the control of her character is very impressive, convincingly making her the victim in a particularly cruel game of deceit.  Steiger’s portrayal of the cheated husband is deeply menacing, especially in the scene where he apparently comes back from the dead to confront his wife.  Chabrol needed a heavyweight actor for this part, and Steiger proves that he made precisely the right choice.

The script is of an unsually high quality for a Chabrol thriller, whilst the direction and photography are typically up to Chabrol’s impressive high standard.  The background music is a little melodramatic in places, but overall it adds to the atmosphere and helps to create a mood of menace and tension throughout the film’s duration.

© James Travers 2001


Write a review for this film...
 

Buy this film:


cover