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Review
Les Orgueilleux was an ambitious attempt to break with the conventional romantic
drama which dominated French cinema in the early 1950s. Filmed mainly on location
in Mexico and with some graphic depictions of human suffering, it has an hard-edged authenticity
which the Paris-bound studio dramas of the period lacked. Some of the images
in the film still retain their power to shock, particularly the seemingly interminable
shot where Michèle Morgan is injected with a syringe needle.
The only thing that mars the film is the traditional, overly cautious direction, which gives the film a dated feel and partly undermines the wonderfully heavy doom-laden atmosphere. If only its director Yves Allégret had been a little more daring and gone more in the direction of all-out neo-realism this would have been an unequivocal masterpiece. In spite of that, it remains an impressive work, which makes a perceptive and uncompromising assessment of human nature. Sublime performances from Michèle Morgan and Gérard Philipe makes this a compelling and poignant film. Morgan is particularly impressive, playing (against type) a slightly amoral character who has great difficulty showing her emotions. She conveys the unspeakable hell of her character’s predicament with great force and subtlety, bringing a much needed humanity to what is pretty grim drama. © James Travers 2002 Write a review for this film...User Comments
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Director:
Yves Allégret, Rafael E. Portas
Starring: Michèle Morgan, Gérard Philipe, Michèle Cordoue, Carlos López Moctezuma, Víctor Manuel Mendoza Synopsis
A young woman, Nelly, arrives in a remote Mexican town with her sick husband. Diagnosed
with having meningitis, her husband dies a short while later and Nelly is left alone,
having lost her money and her travel tickets. She is drawn to a scruffy drunk named
Georges who, she discovers, is an French expatriate who never recovered from the tragic
death of his wife.
Credits
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