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Faux fuyants
1983 Drama
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Review
This first film from Alain Bergala and Jean-Pierre Limosin presents an unsettling portrait
of guilt and manipulation. The film’s style is as uncomfortable as its content,
somewhere between Robert Bresson and Eric Rohmer. The film’s apparent realism
– an illusion created by use of natural locations and a lack of the usual dramatic
devices – is at variance with the almost total lack of emotion shown by the actors.
Was this intentional or merely the result of some bad casting decisions? It is hard
to tell. Whilst the film is difficult to watch – because it is so flat, dialogue-heavy
and undramatic – it is unquestionably an original work and makes some disturbing
comments on the perversity of human nature. Jean-Pierre Limosin went on to make
some equally distinctive films, many of which won great praise from the critics.
Faux fuyants is clearly a lesser work, but an
interesting and provocative one all the same.
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Director:
Alain Bergala, Jean-Pierre Limosin
Starring: Olivier Perrier, Rachel Rachel, Serge De Closets, Nicolas Raynaud, Claude Gaignaire Synopsis
After he has run down and killed a young man, Serge, a 40-something business man, becomes
guilt-stricken and withdrawn. He tracks down the daughter of the dead man, Rachel,
and contrives an elaborate scheme to gain her confidence. Meanwhile, he befriends
a young man who has aspirations of becoming a writer. With realising it, Serge’s
new friends end up doing him a good turn…
Credits
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