Dernier atout
1942 Crime / Drama   

 

Review
Jacques Becker’s first film is a rather obvious attempt to emulate the American gangster movie / film noir genre.  It is, for all that, an impressive début for the man who is most often credited for popularising the crime/thriller genre in France in the 1950s.

Whilst not as stylish or confident as Becker’s subsequent policier, Touchez pas au grisbi (1953), it is an entertaining first foray in to the sleazy milieu of classic French film noir.  Mindful of censorship from the occupying Germans, Becker was almost obliged to set his film in a fictitious South American country, something which reinforces the artificiality and remoteness of the film and makes apparent its American gangster film origins.

© James Travers 2002

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  Director: Jacques Becker
Starring: Mireille Balin, Raymond Rouleau, Pierre Renoir, Noël Roquevert, Catherine Cayret

Synopsis
In a South American town, two police cadets must solve a real murder to decide who will graduate.  They end up pursuing America’s most notorious criminal, Toni Amanito...

Credits
  • Director: Jacques Becker
  • Script: Maurice Aubergé, Louis Chavance, Pierre Bost
  • Photo: Nicolas Hayer
  • Music: Jean Alfaro
  • Cast: Mireille Balin (Bella Score), Raymond Rouleau (Clarence), Pierre Renoir (Rudy Score), Noël Roquevert (L’inspecteur Gonzalès), Catherine Cayret (Pearl), Gaston Modot (Toni Amanito), Roger Blin (Un aspirant), Didier, Eddy Debray (Le bijoutier), Pierre Perret, Christian Argentin (Le gérant de l’hôtel), René Stern (Roberto), Henry Darbray (Un inspecteur)
  • Country: France
  • Language: French
  • Runtime: 105 min; B&W
  • Aka: The Last Ace in the Deck



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