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Aux petits bonheurs
1994 Comedy / Drama / Romance
Review
The charm of this romantic comedy owes as much to the contributions from its superlative
cast as to its direction and scripting. One of Michel Deville’s most accessible
films (although, surprisingly, not a commercial success), Aux petits bonheurs offers
a quintessentially French look at male-female relationships, largely from the jaundiced
perspective of encroaching middle-age. With its quirky humour and playful narrative,
the film manages to be entertaining as well as offering an honest, slightly poignant,
reflection on mid-life crisis. Neither outright comedy nor serious drama, the film
fails to be entirely satisfying, and some of the exposition feels rather sloppy (for example,
the presence of the piano-playing babysitter). However, the film does have much
to commend it – in particular, the exemplary tragicomic performances from Anémone
and Hanna Schygulla.
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Director:
Michel Deville
Starring: Anémone, Xavier Beauvois, André Dussollier, Nicole Garcia, Sylvie Laporte Synopsis
Three couples share a large house in the country, along with Cécile, a babysitter,
and Hélène, their guest. The relationships between these disparate
individuals are far from straightforward. Pierre has been faithful to his wife Ariane,
but she has been pursing an affair with Matthieu, who is married to Sabine. Lena
is married to Bertrand, but, in his absence, she has taken a young lover, Marc.
She also has a son, Michel. Hélène returned to the house in the hope
of finding the man she fell in love with 25 years ago.
Credits
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